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hey, i know! let’s build a fort!

 

I place the 14th item on the express checkstand conveyor and wait for the queue to move before pushing my cart any farther. My iPhone chirps, making me flinch and my skin go cold, but it’s just Stacie with a new time for yoga tomorrow, so I text back “7:30, see you then.” The tiny Asian woman ahead of me stands next to some bagged apples and a green cabbage book-ended by batons that form a trapezoid on the belt. The guy ahead of her decides to sign up for a coupon game promotion, so we shift our weight to a back foot and lower our chins. Two, four, six … I count my items again. Not over the limit. A young mother wheels in behind me with an infant in a baby bucket up by the cart handle and a small, curly-haired boy hanging off the side of the basket, swinging a leg. The Express lane is at a quiet, slightly tense, ebb.

My brother, Craig, is very sick now. He will die quite soon, though it’s easier to see that when you’re not trying to find platinum among the spare change. I understand – now, only these last couple weeks – that he tells me and Amy truths that are close to the bone and Swiss-cheese versions to almost everyone else. We are the flinty, hardass women. For all our drama and tears, these eyes will slice your lie right open, see  through your puff. He knows I promised him even more exquisite pain is coming because I love him, because knowing will make it easier, because sugar-coating the bad news is not what we have ever done.

::thud::  The boy’s heel whacks my shin, and I say “Ow-w” without thinking, raise my starfish hand like a crosswalk cop. His mother hauls him off the cart: “I’m so sorry. Luke, say you’re sorry to the lady,” and he mumbles “Sorry” as he frowns his eyebrows against her thigh and curls his shoulders around his vulnerable heart. “It’s okay,” I say as I shuffle off the ache, “Don’t worry, it’s okay.”

This seems to have unlocked the line: the coupon card is bestowed and the man heads off, the belt moves, the Woman of Few Items hands over a bill and scoops change from the germy coin dispenser, and I offer three reusable bags – black with red Japanese characters – and my Albertson’s Preferred Membership Discount Card to the dark-haired clerk with the sweet smile and the elaborately decorated acrylic fingernails. The mother hangs back, letting me know her boy isn’t within striking distance. “How are you?” asks the checker, “Did you find everything?” “Good, yes, I did, thanks,” and I smile and slide my MasterCard, touch Credit on the screen and scrawl C-something without looking up for more than a nanosecond, my shin stinging.

When Craig was four, about the age of my grocery-store assailant, and I was seven, we started making forts in the dining room of our little tract house. A worn chenille bedspread the same color as Yogi Bear covered the table, and we’d pull the chairs back up against the vertical blanket walls to serve as towers. From inside the brown cave, the one who was on lookout duty would slip under the spread and up into a chair, peer from under an L-shaped hand to see if there were bad guys out there, then slither back. We always meant to stay a long time but got hungry. There was peanut butter on toast, careful not to drop it goo-side-down; there were Twinkies. I hadn’t started baking yet. We drank milk from the carton with the fridge door open, never brought glasses in there, though Craig ate cereal – Kix or Rice Krispies or Kellogg’s Corn Flakes – and milk from a turquoise bowl sometimes, slurping. It got hot in there pretty fast, so we’d yank the blanket off and chase each other around the house, the one who was It trying to throw the spread like a capture net over the escapee. He was a strong, fast little kid, didn’t whine or cry. I was a ferocious tickler and had schooled him; we rolled and wrestled, grabbing at those best spots – knees and armpits – until, breathless and sweaty, we’d lie on the floor, hooting like owls.

“You saved three dollars and twenty-nine cents.” I take the receipt she hands me and say thank you, turn my grey head and smile at the mom and boy and winding-up-to-cry baby behind me. I wonder if it’s a girl, if the boy will have a sister. Sunglasses go on. Two hands on the cart, and it’s four steps to the door that whooshes the wall open between the chilly, bustling market and the late-afternoon blinding sun, the slanting tree shadows of this day that’s May-almost-June in this year a half-century later. That’s a lot of years, fifty years and more, but it isn’t enough.

Photograph of Twinkies from Hostess Cakes by Larry D. Moore [2006] thru Wikimedia Commons:  Larry D. Moore [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons

 

 

 

 

18 Responses to “hey, i know! let’s build a fort!”

  • LC says:
    05.26.2012 - 9:27 am

    Owww. Only not my shin. xoxo

    candace Reply:

  • Roger says:
    05.26.2012 - 9:57 am

    Brilliant piece. This rings of the tradition of James T. Farrell—who people don’t talk about much anymore–but I loved him

    candace Reply:

    i don’t know him but will go find something he wrote. knowing you, i’m sure it’s quite a compliment. thank you, roger. xo

  • Marlene says:
    05.26.2012 - 11:09 am

    This leaves me speechless Candace. The simplicity, the complexity. The art to your writing and the pain of your subject.

    candace Reply:

    thank you for always reading and saying such lovely things, marlene.

  • kim gamble says:
    05.26.2012 - 6:19 pm

    Got me where it hurts, thank you ; the best acupuncturists do ; no mercy. I love them for it. They are surgeons in their way ~ to the bone, smiling.

    There’s reference here to cycles ~ the person in front, the ones behind …

    Who knows how you do it, Candace, but you do it.

    Love from Downunder.

    candace Reply:

    ‘no mercy’ applies to love, too. any other way isn’t worth a yawn. back atcha, sydney man. xo

  • Tracey says:
    05.27.2012 - 8:58 am

    We built hot-under-the blanket covered table forts too! Being westerners we had our six guns…bows and arrows and—shhh-don’t tell anyone—cowgirl and cowboy outfits on. O yes–the horses were floor pillows tied out back of the fort to the coffee table.

    Arms around you Candace. Blessed be. T

    candace Reply:

    thank you, tracey.

  • maria heng says:
    05.27.2012 - 8:29 pm

    Candace, thank you for letting me see in, to the forts you both built, to this raw place that is the knife’s edge of love and impending loss, time slowed to precious heart beats. Writing so good it slams me into the present, where I think of you and your brother with love.

    candace Reply:

    your comments are reminders of what an incredible writer you are – and of your astounding kindness, maria.

  • Annie says:
    05.28.2012 - 3:39 am

    <3 <3 <3
    Many lines and images stick me like a long thin thorn, but none so painfully as the mention of the phone chirping. That tiny digital harbinger of the awful terrible truth doesn't so much chirp as ring like an iron forged monstrosity … I don't know much, but I know that. Love you.

    candace Reply:

    <3 back, annie.

  • alison says:
    05.28.2012 - 6:30 am

    Gosh, you set up such a marvellous little slice of life, every detail perfect, and then wham!, straight to the heart. Love you – thinking of you.

    candace Reply:

    careful with your heart, alison. it’s a lesson, this bit of life. love you too, girl.

  • Vicki says:
    06.01.2012 - 7:19 pm

    My brother and I also built forts and fought and giggled and conspired against our parents. He died suddenly of a heart attack at age 37 in his own bed, taking a nap because he had a cold. His neighbor, an Air Force surgeon, opened his chest with my young nieces watching, and tried his best to massage his heart back to life, but to no avail. The hurt never goes away but I’ve reached a point where the good memories always make me smile and I only cry once in awhile. Peace.

  • GabbyAbby says:
    06.02.2012 - 5:49 pm

    If only there was a bandaid for this ow… These last few posts are some of your best work C, very organic, minimal, and not one word could be added or taken away. Why is it that art seems uniquely connected to suffering?